20 Best White Ink Tattoo (2022 Updated)

I paint miniatures as a hobby, and generally the inks that I use are thin and largely transparent. They generally don’t mix too well with the acrylic paint that I use, but I was recommended the Daler-Rowney Black, White, and Payne’s Grey to be an alternative to my standard black, white, and grey acrylic paints.

While I can’t really say I’ve found much use for the black (standard opaque black ink, really) the Payne’s Grey has absolutely provided a reliable shading effect to whatever acryllic paint I add it to.

The white, however, is definitely the best. This is simply a superior alternative to standard white acrylic paints simply because of how smooth it is. As an ink, I was worried that it’d be too translucent, but I’d say it was about 80% opaque, which ironically is about the same as my white acrylics but with way smoother coverage.

In general, white acrylic paint has a tendency of building up, separating, drying out, while this ink seems to have no such issues. 2 layers always seems to be enough, provided you’re not putting it on anything extremely dark, in which case I’d recommend separating the two with an opaque layer of something else first.

The ink itself seems to do everything right, and until they find a way to make this magically 100% opaque, I can’t think of a single criticism I’d have with it. No separation, no build up, no chalkiness.

Just smooth solid white. If you paint a lot of fire and flame effects, this is a must buy.

Love these FW paints. Compared to other liquid acrylics, they are more liquid and thinner in texture. A little goes a long way, super easy to use, high color payoff, not streaky, mix well. I love these! My only issue is that many of the shades are near identical colors and the “shimmering green” shade is just a standard white iridescent pearl, no green shimmer at all.

Otherwise these are great! I like them better than the Golden liquid acrylics, which look thick and streaky compared to FW. #sweepstakes.

These Daler Rowney acrylic inks are very good quality and I have used them exclusively for about a year now. I use them with watercolors in somewhat abstract compositions. These are water resistant inks and that combined with watercolor produces very interesting results on quality watercolor paper by tilting and turning the paper while still wet.

These inks are very vibrant in color and work very well by themselves. Some are a little more opaque than others and experimentation before creating finished work is probably necessary. These are enjoyable to work with.

#sweepstakes.

honestly, this is a great product if you do it correctly. here’s my tips: make sure you use the right printer (laser jet), maximize your space on the paper, print on the right side of the paper according to your printer (it needs to print onto the glossy side), let the ink fully dry when it prints, and apply the tattoo correctly.

so do all of these things and it will work great. especially if you only need it for a short amount of time. the tattoo will start coming off within a few days so they’re not the sturdiest, but it is printer ink in the end.

either way it’s really cool to be able to make your own designs into a little temporary tattoo! definitely worth it :).

I bought this for a bachelorette party, so we’d have matching tattoos. The instructions easy, however, it did not say what printer is compatible. I have both ink jet and laser printers. Since it has a paper feel and not glossy, I ran it throught my laser printer.

It did not work well. 1/3 of the print was fine, the rest was just smudged. I then used the ink jet, it does not feed properly into the printer that I had to give it a nervous push praying it would print exactly on paper.

After 3sheets of practice of helping feed the paper, I had my first and only perfect print. Good thing I only needed 1.

Let me be specific about the stained glass paint- I used these inks to color Plaid Gallery Glass Window Color Crystal Clear and they do mix in and color the clear while maintaining transparency without issues (that is, using the ink colors that are transparent already).

I don’t know if these would work for the same purpose in a different clear medium however. It took about 11 drops of the ink to color 1 oz of clear with adequate color depth so a little really will go a long way.

My only complaint- and it’s not much of one- is that a few of the colors I chose to buy are not as pigmented as others, the Yellow Medium Azo for instance- 16 drops of Yellow versus 2 of Phthalo Blue Green and the color is still more green than yellow.

This has been the best way to color the clear than anything else I’ve tried and I’m pretty happy with them.

This is my first time ever using loose ink like this. I got the Fluorescent Orange shade in my Ink Infatuations box. From blind date box. It is very, heavily pigmented. You need little to no product on a brush to use it.

It blends amazingly w almost a water colour effect. I would definitely buy this product again.

This was my first time using Acrylic Liquid Ink. There are tons of ways to use this product, but I chose to experiment with the Acrylic Liquid Ink and Alcohol Inks. WOW!! Amazing duo – extremely vibrant colors, easy to apply – the dropper is the key – a little goes a long way!! Really enjoying the fluidity of the inks and how well the color holds up after drying.

Super happy with these inks!! Thank you Blick!!.

I was excited to get my new Akua ink starter kit. It has a butter-like consistency. I tried it on at new relief edition; and it printed well. The colors in the kit seemed vibrant. However, I have three problems with Akua.

The first problem concerns the its soy oil base. When painting over my prints with watercolor. The ink began to run and muddied my water color pallete. Therefore, I can not use this ink within illustration work or etching, engravings, or relief prints that require waterbased paints.

This is sad because tinting etchings and engraving is an age-old practice and I use it often. I basically cannot use this product with my current repertoire. However, Akua would probably print well with ink upon ink prints.

My second problem with Akua is that the company stresses ease of cleanup. I got it all over my hands and soap and water did not do the trick. I cleaned with vegetable oil and paper towels, which is the same method I use with Charbonnel.

No chemicals needed. Therefore, I did not find soy oil much different regarding cleanup compared with Charbonnel. My third problem that I have with Akua is that there is no literature or information that I have found seriously regarding the lightfastness and acid-free, ph neutral, or archival nature of it’s inks.

Instead, it praises its vivid colors and varied selection, along with ease of cleanup; while claiming it uses the finest pigments. I like the fact that Charbonnel’s descriptions promote its archival properties, long history, and famous artist patronage.

In conclusion, my biggest fault with Akua ink is its inability to be waterproof and hold a line against waterbased mediums. Its claim for ease of cleanup was not so easy but did smear easily when brushed with watercolor.

Here, I must interject that waterbased acrylics and inks brushed against this soy ink line will most probably smudge as well. Therefore, Mixed media artists. beware. Although Akua ink is very nice and smooth to work and print with, it is a sorrow that it does not like brushwork.

As stated before, Akua inks might be great with Akua ink on like ink productions. I think that it would be nice if inks were qualified on a scale of its ability to hold a line against brushing or applications of water-based products.

Illustrators know what I mean. I will continue to use Charbonnel but will consider Akua for ink only prints, once they make me feel better about the archival nature of their product. May I also mention, by trial and error, that for pen and inks with watercolor or acrylic washes that the best pen that I have found for being waterproof is the Pigma Micron pen.

This ink is archival and can be used for light touch ups to a broken printed line. Or it can hold its on in pen and inks with washes. I hope this information is helpful.

I bought this to compare to other similar inks for intaglio. It lives up to the chatter online. It is a really nice product. I got the tube rather than the jar, which may have been my only mistake. Can’t put excess back in tube.

But it performed beautifully. I’m looking forward to trying some of the colors next! Easy clean-up too.

Charbonnel is the gold standard in etching ink. I use it exclusively on both etchings and linocuts, tinting all with white. These colors are highly saturated so each lasts months unless you plan to pull dozens of editions at 100 prints each.

If the ink has too much tack, amend with a drop or two of plate oil or reducer and Easy Wipe. I’m converting to tube inks rather than canned because the canned ink dries out too quickly which equals a waste of money and cans are often difficult to open.

I ordered 200 ml of my most used colors for landscape prints~ sap green, medium green, burnt sienna and yellow ochre~ thinking they would arrive as tubes. The DB catalog doesn’t say otherwise. My mistake.

more cans! Otherwise a very good deal. Dick Blick has the lowest prices around the Mid-west for high quality printmaking materials. Service is outstanding. I highly recommend this product.

This product works well with the blending solution and has very beautiful, vivid colors! My daughter created beautiful hues of blues, reds, orange, and purple by using the alcohol blending solution and the white alcohol ink.

The tip pours droplets that prevent waste and over saturation. Because these colors become very viscous with the alcohol it is important to use them sparingly and quickly as they dry within a few seconds.

These particular colors are great for making the flower alcohol inks and underwater scenes! My daughter used them on Yupo paper, clayboard, and a frame. We still have enough ink to make another piece of work on the extra 8×8 clayboard that we purchased separately.

If I could change one thing I would love to have a little larger bottles that hold a little more ink. The containers are small but may be hard to hold and pinch for adults with larger hands and the amount of ink does not give a lot of room to experiment and create the final product if it is larger than 11×14.

I’m a resin artist and this is the only whire alcohol ink that will work to do many different resin techniques- like the fathered ink drop. I also use it when I need to have a real deep opaque white in my resin.

It’s very pigmented and a little goes a long way. I absolutely love that this ink color comes in the bigger bottles because I use it a ton- pretty much everytime I do a resin pour. I use it for make craft and art projects but mainly with resin.

It the best white alcohol ink on the market for any and all ink drop technology- many resin artist only use this for their white pigment. The more you add the more opaque the color is. You can add it to other pigments to make other shades.

This is a must have for resin artist.

The Piñata alcohol inks are highly concentrated but still transparent. They easily spread in epoxy resin. I like them specifically for 3D blooming items. One drop of ink per color and one drop of white sinker is enough.

I highly recommend this brand.

I got these for goodie bags for my daughter’s birthday. They look very cute and apply easily and the price was great. However, they do not last as long as other temporary tattoos and come off very quickly (with-in a few hours).

I always hate when a temporary tattoo stays of for days or you have to scrub so hard it hurts to get them off, so I don’t really see this as a bad thing,.

The Splat tattoos were perfect for his party each child loved putting them on. They were bright colored and looked cute on the children. We were very pleased with this purchase!

Kids loved them. Went well with party theme

I picked up Turquoise Blue. This was my first time using Amsterdam Acrylic ink. This ink works great with Dip pens and brushes. The clean up was quick and easy. If you forget to clean before it dries it is a bit of a hassle to clean but it can be cleaned.

This ink dries rather quickly and layers incredibly well. When watering the ink down to get a lighter shade the pigment was still really vibrant.

I use these inks for creating paintings where I need thin pouring paint. Instead of buying pre-colored paints, I can purchase large bottles of acrylic medium and then use the inks to create what ever color I desired.

This what I have more color options and I save money.

I have been using these inks by pouring out a blob of gesso, dropping in 3 or 4 drops of ink, then using a credit card to spread the mix as background in my art journal. I love the effect, it is not at all uniform, the ink somehow smears through the gesso so you get dark and light areas.

I’m not an accomplished artist, so I cannot comment on opacity, use in drawing with a dip or fountain pen. However I can tell you I am very pleased with the vividness of the colours and how they mix together.

I am very pleased with them and I am happy I have another option.

This is not black outlining ink. Not outlining ink at all. I ordered it for that. When i got it and read the back it said bronze shading ink. Does not work at all for lining. Dosent even really work for shading.

If you want a long lasting black tattoo, then Kuro Sumi is by far the best! I wasn’t happy with the black ink that was being used by my tattoo guy, the ink just wasn’t black enough and I was tired of having to do it a second time.

I did a little research and it led me to KURO SUMI and I am glad it did!. My tattoo’s are as black as the day I got them and its that dark, dark black I was wanting. My tattoo guy even made the switch he liked it so much.

Kuro Sumi delivers a high quality ink at a great value.

very good outline ink. keeps its black color very well. is super happy. will always have kuro to my black lines and grayscales.

First and foremost, lightfast / archival, and waterproof capabilities are absolutely necessary for my work, and these terrific inks offer just that. Next, I look for colour range, intensity and aesthetic appeal, and again, these terrific inks fill the bill.

I use them with nibs, fine brushline and area wash, and the effects I am achieving are wonderful. The colours also “get along well” with each other when I need to mix them to achieve a very specific tint, which vastly expands the scope of their use.

Most of all, their transparency and waterproof aspect enables subtle multilevel overlays, which actuate mysteriously beautiful recombinant absorption-reflection effects. In English, these transparent, discrete multilayers are “backlit” by ambient light being reflected back up, and out from the white paper-canvas-light papyrus support.

and my past experiences with the mysteries of theatrical stage lighting design and application “made the connexion”, and sure enough, the optical underdrive / backlighting reflection of the white support– up through the discrete, transparent colour layers– enables and actuates “living” shifts in colour intensities, and literal colour-changes, which are subtly mesmerising.

Pure magic.

I am really disappointed. The white ink was really thick and I needed to dip the pen more than I needed for other inks. It also smells like white out. The gold colored ink was not pigmented at all. It was just glittery.

I tried writing with it on black paper but all I saw was just glitter (not gold) and I could still see the black paper through the words. The black ink was ok, it was very pigmented. The silver color was also not very pigmented and was very also glittery.

The pen cleaner doesn’t clean very well. I could still see some black residue on my bamboo stick. Overall, it was bad.

One of the things I really liked about this product is the way the little shallow ink bottle is stable and not too large to contain in a plastic ziplock bag for carrying along to events. I got a bottle of black along with a Crowquill nib and holder, was very pleased with the ink.

Very pleased with how easily it cleaned off the nib too. So I ordered a set of five that includes black, white, gold, silver and pen cleaner, all in those same small convenient ink bottles. They are glass and do have a stable screw top lid.

One warning, make sure if you pack them along in a bag that they’re braced to stay right side up. The original one got knocked around a bit and leaked some, but the seal was good enough I didn’t lose all the ink and the zip lock bag ensured nothing else in my art bag got ink on it.

Be sure to pack it in a box or something that’ll remain upright if traveling. Not a pocket item.

I have one tattoo on my back/upper spine and I am so thankful that a friend introduced me to this product. Since my tattoo isn’t in a place easy to reach, easy to run on a chair or accidentally sleep on while healing this really helped me take care of my tattoo.

It healed so beautifully and didn’t get any weird bumps or infected or anything. The products are super gentle on your skin and the inked area so there is no weird burning or drying out. I would highly recommend.

Amazinglu pigmented can create many fun and interesting looks ! So much fun to play with and great for. price. love love love this product. Amazing amazing amazing. Best thing ever it’s so good yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah.

I got this one right after I had my third tattoo. I love that it smells great and it leaves your skin especially with the tattooed ones soft and smooth! Perfect set for taking care of my tattooes!

AK 3rd gen is top notch. The paints are truly better. They don’t separate, whereas if Vallejo’s are left to sit for a while they start changing colours until they are shaken again. They dry matte. They don’t go glossy when thinned with water.

They don’t need a varnish coat if mineral spirits are to be used after an oil wash. They’re all consistent where the colours are always the same hue. I’ve seen Vallejo paints with the same number be different colours.

The AK paints are all equal in thickness whereas dark colours from Vallejo are thick like Nutella and difficult to shake up, even with agitators in the bottles; and light colours are super runny like Fanta soda.

AK’s are all the same.

A marvellous range of matt acrylics you can use straight from the bottle. Very good coverage and some very vibrant colours, mean this is rapidly becoming my go to range when Im choosing paint. Of particular mention is the white, which gives a very smooth opaque finish, even over a black undercoat.

Highly recommended.

AK is my new friend! I really like Vallejo products and AK is for me the perfect combination. I simply love their metallics maybe not the best ones on the market but for the price, easy of use and without harming odor.

I just started using my first dip pen (the marbled Speedball Signature nib holder sold as part of Speedball’s calligraphy starter sets) the day before yesterday, and this was the ink that came as part of that starter set.

With the caveat that this is the only ink I’ve tried since I’m completely new to this and thus don’t have any background and/or points of reference, I would say that the three biggest pros to this ink are that (A.

) it is super-black as advertised; (B. ) it is nice and thick and viscous, resulting in your lettering/written text having an almost Van Gogh-like, palpably thick, physical texture on the page; and (C.

) did I mention that it is super black and totally opaque and dark as night, specifically, as pitch black as the night sky at solar midnight during a new moon while lying down on the rough-hewn, Roman-era paving stones on the ground still warm from the summer sun looking up past the massively towering tetrapylons arching toward the blackbody firmament amidst the ancient, abandoned, remote, and ghostly silent ruins of Palmyra.

However, if you choose to go with this ink, there are three points to follow to stay out of trouble: (0. ) You’ll want to shake the bottle vigorously every morning before opening and using it for the first time that day, as the water and acrylic ink have a tendency to separate out over the course of a couple days; (1.

) immediately after dipping your nib into the ink, you’ll definitely want to wipe off any ink blob underneath your nib on the inside edge of the clear bottle rim before writing lest you inadvertently deposit a massive, viscous hunk of jet-black acrylic ink as thick and sticky as the dankest icky on your paper; and (2.

) you’ll want to dip your nib in some sort of pen cleaner (whether Speedball’s pen cleaner, regular isopropyl alcohol, or just water) and clean/wipe your nib with a low-lint paper towel immediately after writing if you won’t be writing within the next few minutes, as well as as soon as you’re done writing for the day, in order to prevent the ink from drying out in, and clogging, your nib (which due to its viscosity begins to set in quickly).

As long as you’re good about getting a regular routine going incorporating the above habits, you will love this ink. And the only con: It is a viscous ink, so if you would like to use it in an ultra-fine nib such as a mapping nib, you might have to dilute it to thin it out enough to run and flow smoothly (whereon because I only have 48 hours of experience with dip pens I am not qualified to offer any useful guidance).

I love this ink, just not for calligraphy. I bought this for modern calligraphy with a pointed pen, but it wasn’t very impressive. I put it aside for a few months and didn’t think about it. Then one day I needed a gold color for a greeting card I was painting and I remembered this ink.

For painting, this gold ink is pigmented, shiny, and absolutely beautiful. It’s my favorite ink/paint. My favorite use for this is lettering with a paintbrush. You do need to stir it before you use it as the pigment does get stuck at the bottom of the jar, but that’s fine with me.

I’m about to buy 2 more because my current one is almost gone! TLDR: Don’t use it for pointed pen calligraphy. Use it as a thin paint, or for brush calligraphy.

This Speedball pigmented acrylic ink is my favorite for nice bold calligraphy. It covers evenly and maintains the same color over its entire coverage area – no wishy-washy “variegated” look, just a clean, bold line.

Let me start by saying these are quality inks. I thought they would be more opaque but here’s my approach: 1: opacity- added Holbein gouache of similar tones to my inks. I still have to paint my colors twice on watercolor paper for full opacity.

But this makes your inks more powerful than Holbeins acrylic gouache and In desired consistency. This will make your inks stronger than most available for purchase. Holbein I hope you’re listening. We need more opaque colors that aren’t pastel.

This is a sure thing. 2: tip dry nib or airbrush- make a mix of glycerine/propylene glycol to make an acrylic retarder. I used vape juice bottles so I can add drops to however much I’m using at the time.

This is the only way I was able to outline black with a nib. I add about 7-8 drops in a small cap and go to town. These are just things that have helped me out over the last few months. These aren’t things that are necessary by any means.

Just sharing some tricks that have made these my favorite new paints. I’m only leaving four stars because I feel like this ink has potential to be the absolute best if they added their gouache to it.

Even to just make an extension off of this product. Then we’d have the opaque and transparent sets, that way you’re making everyone happy. I also wish I could purchase bigger bottles. Overall Holbein has my business! The Japanese make amazing art supplies and I’m very happy that dick blick carries these products for all of us to try and use.

The super opaque black is a staple in my paint and ink collection. It dries flat and velvety and does not show any additional layers if you have to go back and touch up areas. It is thin, but don’t let it fool you because it covers like nobody’s business.

A little goes a long way and it’s versatile for many applications, but I often use a brush or load up an empty marker with it and use on paper or canvas. Will buy again and again.

I use this ink for drawing comics on bristol board and regular sketch pads. I’ve used several different types and brands of ink and found this one to be the best one so far. It is waterproof and drys quickly.

You can use alcohol based markers with this ink after it dries. This ink is noticeably blacker than even Speedball Superblack (which I’ve bought two large bottles of from this site). I attached a drawing so you can judge for yourself.

I used the Koh-I-Noor Universal ink on the shoulder cape and sleeve. I used Speedball Superblack ink on the chain mail armor.

Choosing the manufacturer’s ink for use in the Rapidograph pens is a no brainer. It is important to have a non-clogging ink in such pens as they will function better over extended periods of time. Experience with a common brand of india ink found that the Rpidographe pens dried up a lot and clogged.

Frequent thorough cleaning was required. Later I learned that particular ink was a ‘dirty’ ink and in the application I was using not a good choice. Different writing instruments require differnt ink formulations.

Also, for artists using ink washes differenf inks have various effects and the intended effect will dictate the brand of ink because of their formulation.

I use this product in all my pen and ink classes. I have been using this product for over 20 years and it doesn’t disappoint. It comes out of your pen with a nice rich shade of black. It is also is very fast drying.

And, a little tip, if using on certain canvas and glass, you can remove mistakes with a little ammonia and a cotton swab. Great product.

Oh De Atramentis! This is my workhorse ink! When I want something to stick around, no matter what, I go for Document Ink! The Dark Green is a respectable color with not a lot of flare. You won’t find much shading at all on these inks, but they’re really not meant for that anyways.

It’s flat, clear, and legible! The flow is wet and will feather and potentially bleed on cheaper paper, but that is true of a lot of these types of inks. It dries pretty fast on most paper. Pen maintenance is a little more involved than cleaning a pen with dye ink, but regular cleaning will insure that this ink won’t clog.

(Having this in a pen with a removable nib and feed greatly speeds up said maintenance!) Having a good pigmented ink is a must for anyone wanting an ink that’ll last and survive anything you through at it; De Atramentis’ Document Ink is more than up to the challenge!.

I inked-up a Lamy Vista with a 1. 5mm nib and the flow was very generous with no skips. The color was a dark grey, neither black nor blue, just as it appears in the Goulet’s sample image and very serious-looking on the page.

I also inked-up my new Platinum Procyon (a wonderful pen) with a medium nib. The ink was smooth and wet and wrote more like a broad nib (making me wish I had ordered the fine nib) so best used in a dry pen if you prefer a controlled flow.

It dried very fast on Midori paper but a moistened finger an hour later smeared the ink slightly. A week later and the ink didn’t budge under a moistened swipe, so I’d call it permanent. I ordered a sample of the same ink in the Dark Blue and I prefer it to this Black Blue color and will be ordering a bottle of that and gifting the Black Blue to my accountant brother.

DeAtramentis produces some of my favorite inks. I highly recommend their document inks!.

I’ve been using this in a Faber-Castell E-Motion, medium nib, on Midori MD notebook. It’s a nice blue, close to Iroshizuku kon-peki, but with a more subtle shading and it seems to have an almost a matte appearance — nice character, actually.

Smooth writing, it lays down a very thick line — the medium line looks close to that from the Benu Briolette broad. It’s waterproof — I can lay down heavy highlighter on top of this with no smearing.

There is some ghosting, and feathering on this paper (feathering was not a problem on Rhodia or TR gsm 52), but not enough to not use this ink. Other inks I’ve tried have had not had feathering like this on the Midori MD (Pilot standard blue, Noodler’s Liberty’s Elysium, J.

Herbin Emeraude du Chivor, Iroshizuku kon-peki & ku-jaku). I quite like the color — the feathering and possibly the thick line might limit my use to Rhodia and TR.

Was about to get Faber white pens on Amazon – in the reviews someone compared both with multiple photos. This product gives a more vibrant white which, is what I want for highlighting. I am using these with other Faber pens I have and, however, the gel causes the colour to run.

I would buy this product again because the results are something I actually like.

Good: 0. 8 and 1. 0 work perfectly. Bad: 0. 5 only works on a slant – not upright and fades out a bit at normal drawing speed. Only one I have ever used so may not apply to every 0. 5. Cap fits well; opaque ink; Barrel appears to be about half full.

Comfortable to draw with. Better than some more expensive pens that I have tried. Would buy again.

I bought these for my daughter as she really enjoys art and wanted to improve her highlighting with white. We tested all 3 of the pens in the pack on various types and colours of paper, card and tissue, however we had to virtually scratch the paper/card to even slightly see the white.

I have since bought white pens from a different brand which are doing a fantastic job, exactly what my daughter was looking for. I would not recommend Sakura white gelly roll pens at all.

This lipstick some people may find it normal. But it somehow needs some kind of better understanding 😉☺️ apply it as you normally do then smudge it with finger. Do a little lips dabbing won’t be sinful 🤣 then it will look so natural, comfy at lips & long lasting!!!.

I bought 3 colours (#01 #02, #04) and what i love the most about this lipstick is the pigmentation. The longevity is so-so but it’s understandable since it’s a stick. I dont mind reapplying since the colour is pretty.

The colour on the packaging is true to its real colour too.

The texture not bad. I brought all five colour it’s so pretty. Worth it. Oh and also thanks for the free gift. Really like peripera lipsticks.❤️

I bought the gold 2 years ago, finally, I was able to use it in my studio. The print came out sharp. Color is amazing. The best part is it dries in a snap and it is super easy to clean. It is pricy when you compare quantity with other brands but the quality is superb.

This is pretty good quality ink. Easy to use, and very easy to clean up. Fairly quick drying (though not too quick as to dry while making prints). The texture of the gold is not quite as nice as other colors.

Because I like Schmincke watercolors, I tried 2 of these, ultramarine and ivory black. On Blick’s blue easy cut linoleum, this thin stuff does not adhere to block or cover evenly, very difficult to roll.

Worse, it does adhere to the paper–a freshly inked block run through a press with modest pressure stuck to the Rives BFK so badly that it actually pulled off tufts of the paper! Only good thing about it is clean-up–it really is water soluble.

After washing and drying, I reprinted the same block with same pressure and same paper using Charbonnel Aqua Wash Etching ink carbon black and got easy, even inking and beautiful rich prints. It also washes up easily.

Sharon was a pleasure to work with. All of my items shipped very fast and I am so pleased with my high quality IOD decor stamps. Highly recommend!

What a great product! Happy creating! And thank you for the fast shipping!

This color is amazing so pretty! Thank you Stockton Farms for great service!